Brian Donnelly: Distorted portraits
The recent works of Toronto-based visual artist Brian Donnelly are focused on portraiture, but do not expect any classics from Brian. These portraits show all kinds of distortions, unsettling mutilations that deny any trace of socially accepted beauty or fragmented facial features that reveal human limitations and speak of vulnerability.
The hair and sometimes the eyes, mostly remaining part of the composition to increase the work’s expressiveness and visual impact through confronting or connecting with the viewer in striking ways, are the very few recognizable elements still left untouched by what feels like a spontaneous, rapid and irreparable erosion. So this powerful impression of imperfection and incompleteness captures gestures of despair or fear – if physically possible, depending on the extent of their distortion, the depicted subjects are hopelessly screaming, while we are silently witnessing a slaughter scene that it is too late to prevent.
Brian Donnelly’s experiments also refer to the limitations and meanings that are attached to art according to different criteria. However, what happens when the artist refuses to follow the rules? Find your own answers in the following selection of his artworks.
‘Fountain of Youth’, 2014 / oil, turpentine, hand sanitizer, canvas, 24″ x 24″
‘Reliquaries’, 2014 / oil, paper, aluminum, mylar, 11″ x 16″ (58 pieces)
‘The Fall’, 2014 / oil, turpentine, hand sanitizer, canvas, 48″ x 48″
‘Crop’, 2014 / oil, turpentine, hand sanitizer, canvas, 24″ x 24″
‘Red’, 2013 / oil, turpentine, hand sanitizer, canvas, 26″ x 40″
‘Untitled (Gasp)’, 2012 / oil, turpentine, hand sanitizer, canvas, 18″ x 24″
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Images © Brian Donnelly
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