MEDO: Sacred art and the horror of the inevitable

In the vision of Brazilian artist MEDO, humor, sex and death manifest themselves and are perceived as the only free and absolute truths that man can reach today.

Building on these pillars, he introduces us to a system of doubtful faith, of haunting fears and enslaved spirits, where false beliefs and the ego imprison the individual, and the deceived mind becomes a trap for the soul, limiting one’s freedom to see, to feel and act.

The main themes and elements he approaches refer to sacred art, theological contradictions and the horror of the inevitable. 

His characters, the “incoherent saints”, are lost in abandoned places or left behind in the ruins of time, “staring at the skies for impossible answers”, tormented, mutilated by their own inner struggles, and hoping to get out of their illusory cages. Their faces are hidden behind geometric masks and dark shades, as perhaps their fate is universal.

Caindo aos Pedacos

Caindo aos Pedaços / Falling to Pieces 

Mutilado / Mutilated

Mutilado / Mutilated   

Thinking about past mistakes.

Thinking about past mistakes

Ego

Ego

Oferenda - Offering

Oferenda / Offering

Tirem-me de mim / Get me out of me

Tirem-me de mim / Get me out of me

Dissimulado / Dissimulated

Dissimulado / Dissimulated 

Dissimulado / Dissimulated

Dissimulado / Dissimulated – collaboration with Zéh Palito

Insert Coin Working Class

Insert Coin Working Class

Morto / Dead

Morto / Dead – collaboration with Alma 

Religion

Religion

Mongotronics

Mongotronics

Parede Comics

Parede Comics

1 – The worst has happened.

2 – No one predicted it. / “-… but it’s ok.”

3 – “-I saved my eyes.”

Women are not objects

Women are not objects

All images © MEDO

View more on his Flickr.